Dora De Larios
De Larios’ figurative sculptures reflected her understanding of world cultures and ancient art. She felt a particularly strong connection to the Pre-Columbian pottery of her Mexican heritage.
![Dora De Larios, Sculpture, 1960. Unglazed stoneware, California Visionaries: Seminal Studio Craft, Featuring Works from the Forrest L. Merrill Collection](https://www.craftinamerica.org/wp-content/uploads/2019/03/P1000880edit.jpg)
![Dora De Larios, Sculpture, 1960. Unglazed stoneware, California Visionaries: Seminal Studio Craft, Featuring Works from the Forrest L. Merrill Collection](https://www.craftinamerica.org/wp-content/uploads/2019/03/P1000873edit.jpg)
![Dora De Larios, Sculpture, 1960. Unglazed stoneware, California Visionaries: Seminal Studio Craft, Featuring Works from the Forrest L. Merrill Collection](https://www.craftinamerica.org/wp-content/uploads/2019/03/P1000858edit.jpg)
![Dora De Larios, Europa and the Bull, 1962. Jay Oligny photograph](https://www.craftinamerica.org/wp-content/uploads/2015/11/gsoc58.jpg)
![Dora De Larios, Europa and the Bull](https://www.craftinamerica.org/wp-content/uploads/2014/07/191.jpg)
![Janus, Dora De Larios, Ceramic, Maloof Foundation](https://www.craftinamerica.org/wp-content/uploads/2014/07/maloof-foundation-05.jpg)
De Larios’ figurative sculptures reflected her understanding of world cultures and ancient art. She felt a particularly strong connection to the Pre-Columbian pottery of her Mexican heritage.